I saw one of these birds this morning hopping around the raccoon tree, then flying off to the little maple by the shade garden, then off to the apple tree and finally to the big maple at the top of the yard.  Huge!  This is a big bird with a fierce looking red crest and long  beak.   That crest in the sunshine this morning was mesmerizing.  What a beautiful bird.

There are always downy woodpeckers in the yard, occasionally a red-headed woodpecker stops by the feeders.  But this guy only shows up a few times a year.  He always makes a statement when he arrives.

I have my camera set up in the window, but this time I wasn’t able to get the window open and the camera set up to take any pictures.  National Geographic provided the picture you see.  Someday…I’ll be ready when the pileated woodpecker shows up again.

We are deep in the fog this morning.  The only sound we hear is the sound of the corn dryers on near by farms- the giant forced air corn poppers that dry corn before storage in the giant sheet metal corn bins.  No orange people yet, no gunshots yet.  No deer fleeing across the fields or trying to hide in the secret garden.

And no preaching from me.  The deer harvest is very necessary- too many of the beasts are diseased, and prone to starvation.  My only complaint, the orange people who sit in trucks at the side of the road waiting for the deer to be driven to them, the lazy ones who can’t walk to their hunting blind and tear up the hillsides with their ATV’s, the ones who don’t pay attention to where they are in relation to houses and farms, and the ones who shoot at anything that moves, including cows, dogs, and people.  And the orange people who seem to think deer hunting automatically means long intoxicating periods of drinking and carrying guns, and who see nothing wrong with leaving their beer cans and bottles along the road sides and in the woods.  Oh, and the lowest of the low, the ones who are hunting for the perfect set of antlers and who leave the rest of the deer carcass to rot in the woods.

This next week (while the orange people are about) we are pretty much confined to the yard, and even a trip to the mailbox can be dangerous.  I’ve a bright red coat I wear when I go out, and Dennis has his blaze orange sweatshirt, bought to keep him safe while out photographing.

It’s only a week.

Because I have class on Wednesday nights I always figure the new week starts on Thursday.  Wednesday being the day I finish up all the projects of the week before, run all the errands for the next week, and get home just before Thursday cycles into existence.

This week is another busy one- a paper for class, a book-making project, a sweater to finish (got that last skein of yarn yesterday) and as reward further reading of The Girl Who Kicked the Hornet’s Nest. I am just about a third of the way through the book, enjoying it immensly, new characters, new twists, and still the same fast paced unraveling of the story.  I am already planning a second reading of all three books in the series, a slow savoring of the text, a puzzling over the form, that writer-obsessed pleasure in tearing a book apart to see how all the craft pieces fit together.  For now, I am enjoying finding out what happens next.  A fine thing for a suspense novel.

Yesterday I picked up Tamora Pierce’s Trickster’s Choice, another book from the Tortall realm.  I don’t know how this one fits with the Beka Cooper books, but I am sure to find out.

One interesting and encouraging thing I see in the library ( I was in two yesterday) and book stores (two again yesterday) is the thickness of books for children and that vague “young adult” distinction.  I wonder if J. K. Rowling can be thanked for making it acceptable once again to present a long complicated narrative to children.

One last literary quandry- I have been looking at these new fangled (to me) graphic novels.  I think I would like to read one of these.  Any suggestions out there where to start?  Titles, authors?  I am afraid they all look alike to me, at least the covers do.

A parade of deer just walked across the top of the yard.  Saturday the orange people will be out again.  It will be a good weekend to stay put, stay inside, stay safe.  Good thing I have plenty to read, knit, and do.

The last time the wind blew another branch came off of the big maple at the top of the yard.  My favorite tree is slowly shedding its limbs.  This latest discard wasn’t a major branch; it was about as thick as my wrist.  Unfortunately when I looked at it closely, the center of the limb was dark brown, rotted, dead, not at all like the healthy cream color of live tree tissue.  When the decay has moved so far out from the trunk there is little to say, except goodby.  The tree has been dying for at least twenty years.  It reached its maturity at least that long ago, and every year since it has been in decline.

The tree is going to come down.  I’ve known this for awhile, and I have been resisting admitting it.  To admit it means I let go of one of the largest, most prominent symbols of what this piece of land means to me.  The tree was/is the sentry to the sanctuary.  It is the guardian of my haven.  All the times I drive down the driveway and see that tree at the top of the yard, at that moment, no matter how long I had been gone, I know I am home.  I can’t imagine how empty that spot in the yard will be when the tree is gone.

I remember one of the first things I did when I moved here twenty years ago was to suggest tying together the main limes of the tree.  The longest low limb was on the verge of collapsing and by tying it to the other two main branches the whole tree was stabilized.  That logging chain is now embedded in the bark of the tree, integral to the structure.  The tree has figured prominently in my writing, both as character and inspiration.  I’ve even climbed it a few times, a while ago when it still felt solid enough to bear the extra weight of a person.  Sitting among its branches was like being held by an Ent.  I remember…

The old maple at the top of the yard will stand a little longer.  We will wait until the ground is frozen before we start cutting back its overhanging limbs.  The snowplow drivers will be thrilled; they won’t have to worry about getting the snowplow under the limbs.  The farmer who works the upper fields will be happy; he won’t have to contend with low hanging branches snagging his machinery.   I suspect it will take most of the winter to get the major limbs down.  By spring there should be little more that the trunk, and that should come apart with  a tug  from the pickup truck.  The center of the tree has been rotten at least twenty years.

The wood pile will be increased, another couple years of firewood to add to the stores.  There will be more sunlight in the upper yard and the old apple trees will probably benefit from that.  There are still plenty of trees to shade the house and the garden.  I suspect I will get used to not seeing the sunrise tangle in its branches.

I’ll have to spend some time thinking about a new tree for that spot, although I doubt I’ll be around to see the new tree grow to the magnificence of the old maple at the top of the yard.  I wonder if I will find any tree worthy to  replace it.  Maybe it’ll be the phantom tree at the top of the yard, at least until I am gone from here.  There’s still time- time to let go and move on.

Voices Against the Darkness

From World Literature Today, a special section of writers imprisoned because of their writing and their beliefs; something I believe can’t be separated.

These writings made me think about a lot of things:

Freedom of Expression

Confinement

Triumph and Endurance

Convictions and Privelege

The articles are brief, worth the time to read.  They may not say anything new, but maybe we need to be reminded again.

 

The third Stieg Larson book THE GIRL WHO KICKED THE HORNET’S NEST just showed up at the door- real mailman delivery to the door.  Those UK booksellers are so good.  The book, two weeks early, hefty, tightly bound, with dust jacket and very English looking.  I love books published in England, they feel so bookish.  The English take their reading seriously, and a good quality book is important to them.  I have ordered English books before- Jasper Fforde, J. K. Rowling, and Tim Robinson- and they are always worth the time, money and effort.  The English book is a good, solid, well made, never going to fall apart book.   They expect their books to last FOREVER.  As they should.

Yes, the book is in my hands, and I have to decide…do I finish Bloodhound- Tamora Pierce- or do I throw it aside for the pleasures of Lizbeth Salander?  Beka Cooper is an enchanting heroine, and its the second in a great series of YA fantasy, but… Lisbeth is in a bad way and the reviews hint of many bizarre adventures and tribulations.

Meanwhile, on a rush of book arrival high I went and ordered 6 more books- from my long suffering list of interesting books only to be found in used book stores or online.  Another great book source- Abe Books.  Yea, Abe!  Yea, Foyles!  Yea, Libraries! (I do get books from the library all the time- sort of literature test drives before buying.)

Before I get to read either book- Beka or Lisbeth, I have homework.  Pages and pages of poetry.  Sigh.  It’s not that I hate poetry, but how can it compare to such wonderful heroines as Beka and Lisbeth.    What will I do?  What should I do?  What will I read next?

little window, big perspective

I think I have one of the best views there are from my little window. I could complain, now that there is sunshine, blue skies, and depth defining clouds, the trees have lost their leaves and their color.  I could, but I won’t.  There are those who counsel we wait for perfect conditions before we do anything.  There are those who advise we  take what we have been given and make it work.

The sun is shining; it’s a little breezy and not quite as warm as yesterday.  The Berlin Wall has been gone for twenty years.  The house of representatives passed the health care reform bill last night.  Maybe its not a perfect day, but I think I can work with it.

4.  Check it out.   My favorite magazine (Orion) has posted its list of favorite things- magazines, websites, authors, artists… a great collection of sources of all things environmental.

http://www.orionmagazine.org/index.php/mag/links/

Really, can this day get better?

1.  At the top of the yard, at sunrise, in front of a pink orange sky, the silhouette of a young deer, a spike buck, pausing on the horizon, watching the house, watching the two people standing at the window, watching him.  He moved with the runway deliberateness of someone who knew he was being watched, but completely safe.  An animal completely engaged in being, no hesitation, no doubt.  If only…

2.  This showed up on one of my favorite blogsites: http://www.insidehighered.com/blogs/the_education_of_oronte_churm

Let It Rain

by Sandra Beasley

I just snarled at my boyfriend over a piece of fruit. More specifically, my last banana, which he tried to claim for his lunch. “I’ll buy you another one,” he promised, and he would. He’s good that way.

The problem is that I’d wanted to eat that banana within the hour, and he tends to pick under-ripe produce. So I’d end up running to Safeway myself, which means getting dressed and stepping outside. At which point, I’d remember oh! the envelope I need to mail and oh! the birthday card I need to buy for my mother and oh! I need to make photocopies of an essay and oh! I’ve got a 3 p.m. coffee date—might as well head over early with this copy of Real Simple and read until she gets there.…

“Don’t mooch,” I snapped at him, with the ferocity of someone defending no mere piece of fruit, but hours worth of work. That’s right: the act of putting on pants can derail an entire day’s productivity. Welcome to the life of a full-time writer.

You know the drill. When someone asks what you do, you trot out whatever workhorse pays the rent—in my case it was “scholarship coordinator,” then “personal assistant,” then “magazine editor”—before arriving at your true destination. “I’m really a writer.”

This elicits a respectful head nod or, if talking to a fellow writer, a bittersweet shrug. We know the odds. And you swear to yourself Someday, the answer will be, I’m a writer. No hyphenating. No qualifying.

I quit my job. I quit so that for the next year I can live off the combination of an advance on a nonfiction book, periodic freelance gigs, and honoraria attached to two poetry collections. I am a full-time writer with the bathrobe and sparse cupboards to prove it.

Yet the “what do you do?” exchange is no easier than before. The respectful head nod has been replaced by a quizzical tilt. The bittersweet shrug has been replaced by a narrowing of eyes or, worse, a nauseated smile.

“Really?”
“So you, um, you don’t work anywhere?”
“How are you covering health insurance?”
“That’s pretty brave.”

Yes. No. COBRA. Hmm.

It’s not as if I had been deveining shrimp for a living. I worked as an editor at a national magazine of arts and commentary, the kind of venerated place one settles in for a lifetime (literally: two supervising editors had, combined, over 50 years experience on staff). People all around me—including my best friend, including my boyfriend—have been laid off in their professions. Meanwhile, I walked out on a steady income with full benefits and three weeks annual vacation.

Is “brave” codeword for “idiotic”?

But the thing about life’s big decisions is that by the time you make them, you’ve already made them. The day I decided to leave my job was not the day I gave notice to my editor. The day had come months earlier, when I set into motion the events that necessitated my departure. And the roof fell in.

That’s not a metaphor. Passing through the doorway that morning, I had noticed the smell first. I thought I knew all the office odors: the accountant’s gardenia perfume, fake-cherry bathroom spray, fish-and-broccoli lunches. This smell was unfamiliar. Damp.

“Oh, Sandra,” my boss said. “I’m so sorry. We did what we could.”

Wet white chunks of tile covered my workstation. A broken dishwasher line on the floor above had released a torrent that dissolved our pressboard ceiling. Luckily, my computer seemed to be working despite the surrounding wreckage. I swiped the worst of the dust off my chair and did what we all do in moments of crisis—I checked my email.

The life of a modern-day magazine editor is that every morning you have thirty-six unread messages waiting, and not one will be useful. Submissions that began “I know you’re not considering unsolicited poetry, but….” Pitches for books we’d never review. Another query from the Save-the-Manatees people, hoping we’d print their public service announcement in the unsold advertising space of our next issue.

But when I switched to my personal email, there it was: an agreement that would authorize a New York literary agency to sell my proposal for a non-fiction book.

Sign and return, the email requested, as if that was the simplest thing in the world. So why was I shaking? Maybe because I’d said I could complete the book in a year. I’d lied. Or, rather, I’d made a promise while trying to please (pick me! pick me!) without fully processing the consequences. There was no way I could write a book in a year and keep working in this office. Something would have to give.

To distract myself from the looming dotted line, I turned to the water damage. On the table I’d used as my extended desk, towers of paper had melted into one gummy mass. This had been the worst of my job—the repetitive record keeping that haunts any assistant—and now, I’d spend hours regenerating what I had put off filing. But the table held the best of my work as well. Forty books, comp copies I’d collected on everything from political poetry to the Medici Giraffe.

“What better job for a writer, than to be surrounded by books all day?” I could remember telling people over and over throughout the years. Now those books were waterlogged. And as I looked over each handful I dropped into a trashcan, I realized: sure, I’d been surrounded by them. I’d talked about them. I’d assigned some for review. But I’d never had time to actually read them. What I had surrounded myself with was not words and ideas, so much as unkept promises in bright-colored covers.

What better job for a writer? How about the job of…writing?

The contract was waiting for me. Hands and heart moving faster than my head, I printed; I signed; I faxed.

“I’m stepping out,” I said to my officemates. The saxophonist who always hangs out on the corner of Connecticut and Q was playing “Walking On Sunshine.” There were only two-dollar bills in my wallet, but I gave one to him. I bought a Coke with the other and walked the same square block three times, sipping it slowly.

When I returned to my desk, the overly conditioned air raised gooseflesh on my arms. When I am writing at home all day, I thought, I will keep my thermostat at 76 degrees. Then I heard it. A gentle rushing. Maybe the air-conditioner? I pushed back from my desk. “Anybody else hear that?”

Drip. Drip. Drip. I dashed up to the kitchen, where the building manager was twisting valves under the sink. Someone had restarted the broken dishwasher.

“I’ve got a call in,” he said. “But I can’t stop it.”

Downstairs, the staff gathered around my desk. They laid trash bags over my computer and lined up wastebaskets, trying to catch the spray. The spray became a flow, then a flood. The surviving tile swelled and drooped.

An impatient coworker grabbed the nearest prod—my long-handled umbrella—and began jabbing at the tile, trying to coax it down, smearing the pink-and-yellow flowered nylon with white sludge.

“Back off!” I wanted to shout. “Leave it alone!”

But there was no point. Soon this would no longer be my office. Soon this would no longer be my life. In the days ahead, I would come to understand that the free pens and ever-ready coffee had been an impossibly precious gift. I would come to count bananas like a madwoman. And I would be writing. Writing. Writing.

I can’t tell you if I made the right decision, or where I’ll be in a year. Here is what I do know: there’s no such thing as a wise risk. There are only the chances you must take on yourself. No matter the timing. No matter the economy.

Sometimes that means you stand back, and let the ceiling fall where it may.

(Read more by and about Sandra at her website, SandraBeasley.comand check out her blog there, called Chicks Dig Poetry.)

3.  I woke up this morning with a clear vision of myself as an archivist/researcher.  It seems to be where I could be comfortable and productive.  I’m a gatherer, an organizer, happiest when ordering and collecting related items.  What a revelation.  Where to take it, what to do with this new conviction.  Is there any call for this kind of person?

So much to think about.  All this before 8  o’clock in the morning.

There are, however, different degrees of responsibility.

Those are the lines on the bottom page 323 in The Girl Who Played With Fire by Stieg Lasrsson.  They pretty much sum up the theme of the book.  If you read it, you will understand.  I think its a great book and recommend it.  It is a great contrast to the poetry and essays I have been reading lately.  Sometimes I just need to enter another world and get immersed in the improbability of another life.  Fantasy sometimes works, this time I chose murder and mayhem.

For the last three nights I have been staying up very late in the night reading this book.  It is the second in a series of three by a Swedish writer who died shortly after delivering the manuscripts to his publisher.  A regrettable loss to the mystery and suspense reading public.

I don’t read too many suspense novels, but in this second book of Larssons, as with the first, I can’t put down.  It is definitely a page turner, brief passages about several characters making up each chapter.  Not a lot of description- no more than is necessary to set the stage, and even less dialogue- which in other books sounds staged.  The story sweeps the reader up in the chaos of a murder investigation and never lets go.

The story is set up meticulously, but without giving away any of the suspense. Every detail is important.  Every character essential. Foreshadowing is handled deftly, and it generally doesn’t register as foreshadowing until so much more has happened in the story.   The entire book is an acceleration of incidents and clues that tumble and roll down the slope of the story to an ending that to explodes on impact at the bottom of hill.

The characters, many who appeared in the first book The Girl With The Dragon Tattoo, are all vividly portrayed, establishing quirks of personality and relationships that intertwine with just enough weirdness to make them plausible. There are corrupt police officers, a boxer, a girl with Aspegerers Syndrome, a few journalists, a sadistic lawyer, a bunch of prostitutes, a couple thugs, a few mysterious manipulators, and a few other peripheral characters as well.  No one in the book is innocent, everyone has an agenda, most have something they don’t want exposed, and a few (more than a few) have or will commit crimes, albeit for excellent and compelling reasons.

The setting is Sweden, a country I don’t know well.  The foreign setting makes it easier to suspend belief; I have no vested interest in the local place names to worry about accuracy.  I suspect, given the style of writing, that Larsson is pretty accurate.  From my limited perspective the setting is believable.  There is a certain Scandinavian starkness that pervades the book that just feels right.   I can’t imagine the story set in any other location.

Yes, I would recommend the book.  In fact, my copy will be available tomorrow.  I plan to finish the book tonight.  When I bought the book, only last Saturday, I debated between Larsson and Dan Brown’s latest.  I’m glad I chose The Girl Who PLayed With Fire. If you haven’t read The Girl With the Dragon Tattoo I suggest reading that first.  If you like a good suspense novel, a multi-faceted puzzle, you will like Stieg Larsson’s books.

I’ll be waiting to get my hands on a copy of The Girl Who Kicked the Hornet’s Nest.

 

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